Social Issued of America :: essays research papers

This previous week I went to the play, â€Å"Revolution: A Song of Black Freedom† and I was extremely intrigued on how it played out. The expressions of this play were composed by Langston Hughes and Maya Angelou. This play showed a great deal of the various sonnets that were composed by Maya Angelou and Langston Hughes. I thought it was a generally excellent tribute to the lives of Langston Hughes and Maya Angelou. It indicated how theiy utilized their endowment of writing to help and energize African American individuals back in mid 1900’s.      This play was about an hour long and brimming with intriguing sonnets by Langston Hughes and Maya Angelou. The sonnets that they presented went directly alongside one another. One sonnet prompted another, etc. A portion of the sonnets that were presented that were by Maya Angelou were, â€Å"The Heart Of a Woman,† â€Å"Gather Together In My Name,† â€Å"A Brave and Startling Truth,† and some more. A portion of the popular sonnets that were recounted and happened by Langston Hughes were â€Å"I Wonder as I Wander,† â€Å"The Ways of White Folks,† and â€Å"The Dream Keeper.†      All of the on-screen characters presented and acted each sonnet out well indeed. Every entertainer had their own sonnet and they acted it out. The on-screen characters were Ina Houston, Shayla Jarvis, Charles Gardner, and Jessica East. Every on-screen character appeared to have their own style or character in the play. Jessica East had on the tight, short shorts with a little close shirt. I depicted her similar to a stood up young lady who was exceptionally inspired by folks. She said the greater part of the sonnets that were about how wonderful ladies were and how they ought to be depicted according to men. She had fairly an attractive walk when she strolled around the stage and she played with the main person that was in front of an audience. Ina Houston was an extremely fascinating character. She was an extremely fiery individual who ran, shouted, and dominated the theater. She said a large portion of the sonnets that expected to have a great deal of accentuation on them. On one sonnet, she hopped up out of one of the seats in front of an audience, at that point she ran up the steps in the crowd shouting the sonnet, at that point stumbled into the rear of the assembly room and withdraw to the stage. On another of the sonnets that she presented, she got enthusiastic on the grounds that the sonnet was very enduring.